![]() The Bundesnotarkammer is based in Berlin and also has an office in Brussels. #KLAMMER ENGLISCH PROFESSIONAL#The Bundesnotarkammer considers itself to be a self-governing public body with sovereign rights and obligations, but also as a professional representation for all notaries at national level. For historical reasons, they exercise their activity in two forms, either as a single-profession notary ( Nurnotar) or as an attorney-notary ( Anwaltsnotar). A total of almost 8,000 professionals are currently in office. Notaries who have been appointed in the districts of the higher regional courts in Germany are affiliated with the chambers of notaries. ![]() It is composed of all 21 chambers of notaries that exist on a state-wide basis. ![]() The Klammers also visited the set in Innsbruck, which not only helped the film crew but also surprised and delighted the locals.The Bundesnotarkammer The German Federal Chamber of Notaries (Bundesnotarkammer) is a corporation under public law. There were many long conversations while doing the research for the script,” Pochlatko explained. “Franz and Eva were convinced by the very first concept for the film, and they worked intensively with Andreas and Elisabeth. Director Andreas Schmied and scriptwriter Elisabeth Schmied persuaded the famous couple to be advisors for the film and the project had the pair’s support right from the beginning. Waldner and the other actors also had the chance to meet Franz Klammer as well as his wife, Eva. “It gave me a very contemporary and fresh impression of how people felt back then.” “When I started to talk to people who had been around at the time of the race, it became clear what an impact Klammer had had on people,” Waldner told us. For young actor Julian Waldner, playing such an iconic sports star was a big responsibility. Even though I know it’s “just a film set”, I still get goosebumps just thinking about it today.”īut a great story can’t be told by film locations alone. “We had so many extras in the stadium, all in amazing 70s costumes and all cheering their Olympic hero. “My favourite moment of the Innsbruck shoot were the two days we spent filming Klammer crossing the finishing line,” Pochlatko told us. By combining the latest film technology with Innsbruck’s amazing scenery, the film crew have created a climactic race sequence that is every bit as exhilarating as the original race. They asked Gerald Salmina, the mastermind behind ski documentary “Streif-One Hell of a Ride” to lead the second unit that would film the actual race. The team wanted to show ski racing as it has never been seen on the big screen before. But as the original Olympic run on the Patscherkofel is still in use today, and as the infrastructure around it was so good, we decided to make the film historically accurate and shoot it on the Patscherkofel,” Pochlatko explained. “We looked at several different ski resorts, particularly some in Carinthia, such as Nassfeld and Bad Kleinkirchen. For producer Jakob Pochlatko, the obvious choice was to film the race on the very mountain where it took place: the Patscherkofel in Innsbruck. One of the biggest challenges was to recreate the famous 1976 race in a way that is relevant for today’s audiences. Of course, bringing such an iconic story to the big screen is no easy task. And they should be with him as he finds his inner strength and wins the ski race of the century.” “The audience should feel the pressure that almost crushed Franz. The race is one of Austria’s proudest sporting moments and rightly so.īut Andreas and his team didn’t just want cinema audiences to hear this inspiring story they wanted them to feel it. Older Austrians remember how schools closed early and the streets emptied as everyone rushed home to watch their national hero win gold on TV. “He goes from being a friendly farmer’s son to a world star while keeping his feet firmly on the ground.” Klammer’s down-to-earth charm and risk-taking on the piste won over the hearts and minds of the Austrian people. “Franz Klammer’s life is a success story-the original ‘Austrian Dream’,” Schmied explains. The answers form the basis of Schmied’s new film: Chasing The Line. Just how much had Franz Klammer risked for his big win on the Patscherkofel? What obstacles had he encountered, what doubts had he overcome? ![]() But if you take this line, then you don’t win.” This famous quote from Franz Klammer was filmmaker Andreas Schmied’s starting point for the film. That is the optimal way to ski the course. ![]()
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